MURILLO, Bartolome Esteban
Spanish Baroque Era Painter, ca.1617-1682
Spanish religious and portrait painter. He was born in Seville, where most of his life was spent. There, c.1645, he painted a series of 11 pictures of the history of the Franciscan order for a monastery. These brought him immediate fame, and for the remainder of his life he was the favorite painter of the wealthy and pious Andalusian capital. His early works show the influence of Zurbarn in the dramatic use of light and shadow. Murillo adapted several compositions from northern and Italian prints. Notable works of his early years include St. Leander, St. Isidore, Vision of St. Anthony (all: cathedral, Seville), Birth of the Virgin (Louvre), and his series for the Church of Santa Maria la Blanca. In 1660 he was instrumental in founding the Seville Academy, of which he shared the presidency with the younger Francisco de Herrera. From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.). These religious works, particularly the Madonnas, are noted for their sweetness of mood. In 1682, while working on the Marriage of St. Catherine for the Capuchin church of Cediz, Murillo fell from a scaffold and died as a result of his injuries. Murillo's greatest works include his fine portraits, Don Andres de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London). Related Paintings of MURILLO, Bartolome Esteban :. | Infant Christ Offering a Drink of Water to St John | Immaculate Conception sg | Boys Eating Fruit (Grape and Melon Eaters) sg | St Rose of Lima sg | Children with Shell sg | Related Artists: Cornelis Claesz. van WieringenHe was the son of a Haarlem captain, and drew, painted and etched with his friends Hendrick Goltzius and Cornelis van Haarlem. He also held important positions in the Haarlem Guild of St. Luke, the painters guild, where he became a member in 1597.
He specialized in paintings depicting ships and sea battles, and received orders from the municipal councils of Haarlem and Amsterdam. He painted the most popular picture of the Damiate legend of Haarlem, showing how a Haarlem ship broke the protective chain at Damietta during the Fifth Crusade, resulting in an important victory over Islam. This painting was such a success that it was reordered in tapestry form, and both pieces are in the collection of the Frans Hals Museum.
The city of Haarlem archives still hold the original records of the 1629 order to Van Wieringen to make the tapestry, the largest made in the 17th century (10.75 meters long and 2.40 meters high). This tapestry still hangs on the wall of the Haarlem City Hall council meeting room known as the vroedschapskamer, where it was installed. It is on public display once a year on Monument Day.
Ludwig GuttenbrunnLudwig Guttenbrunn (1750 - 1819) was an artist who worked in the latter part of the 18th century and early 19th century. He specialized in portraiture and history painting. Axel BorgSweden (1847-1916 ) - Painter
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